BRAINPAN LEAKAGE

Whoever has it, stick the damn thing in and let’s get this holiday stuff over with…

Yeah, I’m obviously a bit of a curmudgeon about this whole festive holiday season thing. Those of you who know me, or have been following my blogs for several years know that I haven’t always been this way. But, without going into a  long explanation, losing your parents near the holidays – too early in life and at separate times – doesn’t really endear you to Christmas, et. al.

It actually has a bit of a damping effect. But, like I said, I’m not going to go into that realm of loss, S.A.D., and all that other stuff. I’ve had my joyous and warm fun with friends and family for this season.

It’s time to move on, so I’m still looking for the gorram fork.

Of course, I am sure you are wondering what prompted me to look for the sharp tined instrument at this particular moment… Well, you see, it’s like this – I have been wracking my brain to figure out why it is we, as a society, find “comfort” in watching back to back sappy, horribly written and acted, Hallmark™  movies during the holidays…

You see, they all pretty much start out the same way. Someone is DEAD. Usually, it is a parent – mom or dad, flip a coin – but on rare occasion it is an offspring who went off to fight in Desert Storm or whatever conflict is happening at the time of the writing  – Speaking of writing, given the poor dialogue offered up in these flicks, I am thinking that writing might be too kind a word for it. But, describing it as writing sounds better than the more accurate “vomiting”.

At any rate, we always start with someone being dead. They either died last week, or 5 years ago. Span of time isn’t really important, because no matter when it was they croaked the holidays have arrived and the pain of loss has resurfaced. (I will make a concession here – This is probably the only accurate part of the movies because I can certainly relate to it)… However, from this point the rest of the overused formula kicks in, and it ain’t E=mc²…

It susses out more like this (please excuse the lack of proper notation… this blog interface is severely lacking in symbols):

Person(dead) / grief (x * y)² {[runaway] – (ghost) – {hospital} – (prison/jail)} / (love at first sight + implied sex / argument) * make up kiss / k(k²) + [food] = z

Solve for z, where x and y equal assorted male and female characters in unrequited love, self-imposed celibacy of mourning scenarios and k equals children, usually on one side of the impending relationship, but sometimes on both (hence k²)…

Well, I won’t make you get out a pencil and paper. Z always equals a happy ending. The male and female characters end up in an instant relationship – one which it is implied will stand the test of time because obviously they were meant to be together even though they had sworn an oath that they would dry up and blow away since their respective significant others met their demise via A) a car wreck B) cancer C) plane crash D) war E) all of the above.

On top of that we always have the fact that someone miraculously survives something (disease, accident, mishap), is miraculously cleared of charges for something they didn’t do, a runaway is found, or in some events the dead person comes back as a ghost for a short period of time to provide closure. Along with this the children involved are all about the new significant others, and in most cases were working behind the scenes to bring them together in the first place.

And, in the end, there is money to pay the mortgage that could never be paid, a turkey/ham on the table, gifts under the tree, implied sex, candy canes, lingerie, trips to Cancun, toys, more kids on the way, a new lease for the orphanage, a job offer, marriage, general happiness, the “bad guy” grows a heart ala “A Christmas Carol” and all manner of  sickly sweet, sugar infused woodja, woodja, woodja ad nauseum…

But, the best part is…wait for it… wait for it…It all comes together on Christmas Eve/Day…

I won’t even begin to go into the lack of research which creates glaring continuity errors, procedural errors, suspension of disbelief errors ( I mean, if you are going to ask me to suspend disbelief – which ALL of these flicks do – then make me believe enough of it that when you jump the shark I can say, “Okay, self, I’m willing to buy that in the context of this movie…)

But, you know, even though I have rambled on about the sheer stupidity of these formulaic wastes of celluloid/airwaves/cable bandwidth, we have to return to the original question – Why do we take comfort in watching these things back to back during the holidays? Yes, they show non-holiday versions at other times of the year, but when the Christmas season arrives they become constant… And, we sit in front of the tube, sipping Bailey’s ™, and watching this drivel like some kind of emotionally bankrupt zombies looking for a charge of said emotions…

Well… I have a theory.

These are the equivalent of a 50 cent roller coaster ride. We start out on a downer, climb to a high point, fear for the cardboard characters, then end in a crescendo of euphoria. Why? Because the cardboard cutouts started out in worse shape than us, then dealt with even more crap, but in the end, it all came together. Magically. Without the aid of epoxy, duct tape, or staples. It just all worked out, and after all, isn’t that what we each want? It’s not the greatest roller coaster around, but it fits in our living room and we can ride it over and over again for effect…

So, what do you think? Decent enough theory?

Of course, my other working hypothesis is that they are all just a big conspiracy by the facial/nose tissue conglomerates to make us buy more Kleenex.

More to come…

Murv

Well, actually, I have been, but that’s a different story.

So, why do I want to be on TV? For the fame? The glory? The hot chicks?

To be honest, none of the above.

Let’s step back for a minute. Not to TV land, but to early last week in Murvland. For reasons that don’t bear exploring at this juncture I had to make a mad dash to the hardware store during a downpour. For yet still other reasons that don’t bear exploring, while in the parking lot of said store I fell. I fell hard. I fell hard three times. Onto concrete. Wet concrete. Hard, wet, concrete.

Okay, you get the idea.

Anyhow, I was bruised. I have a purple hip and a purple stomach where I fell on top of the item I was carrying, (yeah, for a dyed in the wool Browncoat to have a “purple belly” it really sucks). I also have shattered cartilage in one knee, and a lot of achey muscles. I’m not as bad off as I was last week, but I’m still a bit sore here and there.

Now, this incident didn’t stop me from going on with my life. I didn’t end up in the hospital or anything that drastic. However, at 46 and some change one does not just get up, brush off, and go on as if nothing happened. No, that is reserved for the 20 year olds… So, while I was still moving about, it was slow going, with a lot of pain. Yes, I groaned, moaned, and even whined a bit.

What in the name of Pete does this have to do with being on TV, you ask…

No, there weren’t any cameras in the parking lot filming me… Well, actually I don’t know if there were or not. Maybe there were and I just haven’t seen the Youtube video just yet. But, that’s neither here nor there… I fell, I hurt, I moved slow…

Now, on TV it is a different story. I watched the season finales of Bones and House the other night and discovered that the world inside the tube is radically different. People almost completely heal within hours or even minutes. For the truly horrid injuries it might take a couple of days, but that’s just for the REALLY life threatening stuff.

For instance – On Bones one of the main characters took a penetrating round from a revolver. I didn’t get a good enough look at it to say what caliber, but it was at a minimum a .38. Moreover, the wound was in his right chest. He wasn’t wearing body armor or a bullet proof vest either. He bled a lot. He passed out. We didn’t know whether or not he would survive. Something on the order of one week later (maybe even less) he was not only up moving around, but tackling bad guys and waving his arms about. The only evidence of the wound was that he was wearing a bandaid. Other than that, he was just fine and dandy. Now, I won’t even go into the rest of the stupidity that tried to pass for a storyline in that episode, but suffice it to say, unless Patrick Duffy shows up in a shower at the beginning of the first episode next season, they’ve lost me as a viewer.

On House we had yet another semi-miracle. Of course, Hugh and the crew perform those weekly, but this one was really cool (in some ways, literally). A patient who had been severely injured in a bus crash, then purposely put into hypothermia, including filling her lungs with slurry, is warmed up and re-awakened (basically so they can tell her she is dead as soon as they turn off the bypass machine or in a few hours, whichever comes first). She lays on the bed and carries on a clear and coherent conversation with her boyfriend so they can say goodbye. The fun part about this (besides the enormous technical inaccuracies that a layman could spot) was the fact that this two part episode only spanned something like 24 hours in TV time. What I found really amazing about this is how clear, coherent, and without pain she was. You see, when my appendix burst several years ago I spent a week in the hospital. I won’t go into the gory details, but I wasn’t clear and coherent for at least 3 days. I wasn’t without pain for better than a week. After what she endured, and with the limited time frame, I’m thinking maybe a handful of “ouches” and an “I forgot what I was saying, sorry about that,” or two would have been in order.

So, you see… That’s why I want to be on TV. It obviously doesn’t hurt as much when you get injured, and apparently it doesn’t hurt anywhere near as long. I could definitely do with the not hurting.

But, even if I don’t get to be on TV, I suppose I will never write for it either. Why? Because, in my mind if I write something it has to make sense. Sure, even I have elements to my stories that require suspension of disbelief, but you are only allowed just so much of that before suspension turns into “you’ve gotta be effing kidding me…”

You see, suspending it is one thing. Shooting it in the head, burying it in the back yard, and forgetting you ever saw it is completely different. It’s also not very nice.

More to come…

Murv