BRAINPAN LEAKAGE

Real questions, real answers (Note that I did NOT say real good answers…)

1) I want to say that your descriptions of paranormal experiences are amazing. How do you visualize the physical experiences so acutely?

I actually responded to this one via email a while back, but I fear I may have misunderstood the question. I went into some depth about my enlisting my wife in acting out various scenarios from the books as I write them. In particular, and I don’t want to give anything away, but for those of you who have read Love Is The Bond do you remember that scene with Rowan and Felicity on the convenience store parking lot? Well, let’s just say we raised a few eyebrows acting that out in our driveway. Why did we act out that scene in the first place? Simple– so I would know what Rowan could see from various positions, what Felicity could see and was capable of accomplishing, and exactly how to describe what was going on.

However, I digress as usual…

In retrospect the young lady may have wanted to know how I visualize the physical effects of the paranormal experiences my protagonist experiences. If that is the case, then she probably thinks I’m a big, flaming idiot at this point for not actually answering the question she asked.

So, if her question was the one I didn’t answer, here it is for all to see: I fake it.

Actually, I suppose I am serious about that to an extent. I pretty much just operate on a set of basic assumptions then extrapolate from there. At any rate, I guess it is working.

The next few questions actually came from a High School student who is doing a book report on Harm None. I emailed my responses to him, but was impressed with several of his questions and thought others might like to hear the answers as well, so I thought I would add them to the FAQ.

2) Was Harm None your first idea for a book? If not, what was your first idea?

Well, it wasn’t my first idea for a book, no. Like most authors I have a filing cabinet full of manuscripts that have never, and probably will never, see the light of day. When I was much younger– actually in High School younger– I wrote quite a large amount of science fiction and was fortunate enough to have a few short stories published in some small genre magazines of the day. To follow through with your question, my first idea for a book was a novella length “space opera” that I set to paper. Unfortunately, a lack of life experience and an overabundance of teenage angst (and hormones) made it an exercise in futility. However, I wouldn’t trade having done it for the world. The process of writing it– no matter how “bad” it turned out– taught me much.

3) Why did you choose to have the setting of the book to be the same as where you live?

That’s simple. We write that with which we are familiar, or can become easily familiar. While I do an enormous amount of research into such things as police procedure, forensics, alternative religions, psychology, etc, there are some things you just can’t get from a textbook. Setting my series in the city where I live allows me to go out, get in my truck, and drive to a location easily and cheaply (well, with gas prices the way they are…but still, it is cheaper than a plane ticket). In doing that I can then clearly describe the nuances of that setting, and be accurate about it as well. It also lends to what is known as “suspension of disbelief”. Remember, some of the elements of my books are slightly over the top, however, if I have lulled you into a world of false reality with my attention to true detail, then you will more readilly accept the oddities I slip in under the radar, so to speak.

Note: Like it says in the front of the books, I do take some liberties with the lay of the land in St. Louis. I actually have changed the names of several parks and municipalities just to be on the safe side. Also, one of the most notable “fictions” is the coffee shop across the street from police headquarters downtown. It doesn’t actually exist. However, I wanted one there in my books so I annexed (via Literary Eminent Domain) a portion of the City Hall parking lot and built a coffee shop there.

4) How long did it take you to write this book (Harm None)?

Start to finish, including research time (interviewing, reading texts, riding with local law enforcement, etc) I write, initially revise, and rewrite a 100k – 120K word Rowan Gant Novel in right around 6 months, give or take a few weeks. It usually takes another 30-60 days of me arguing and pitching fits with my editor (well, not really, but we don’t ALWAYS agree), in order to get any of the publisher mandated changes done or rewrites completed. After that it’s time to start another one (if I haven’t already.)

5) Where were you when you wrote the majority of this book (Harm None)? i.e. coffee house, home, poetry cafe…

The bulk of my writing is done in my office at home. Back then I was working a full time job (other than being an author) so my writing was done primarily on weekends and evenings. Now, I actually must set aside time from my touring schedule to write. However, if I happen to be running behind on a deadline, my notebook computer sees action on airplanes and in hotel rooms (even while I am waiting for my daughter to get out of her “College for Kids” classes.) Still, Harm None itself was written, in its entirety, in my office at home. (The computer it was written on, however, has long since gone to the electronics scrap heap in the sky.)

6) Do you have any advice for the students of my class?

“Wear sunscreen”

If you have not yet heard that song, ask your teacher as I am sure she or he has. If not, look it up on the Internet and listen to it, or read the lyrics (use the link above).

After you are done chuckling and saying “yeah, right, that won’t apply to me,” listen to/read it again and take it to heart. All of it. I couldn’t give any better advice if I tried for the rest of my life. Trust me, I’ve already lived much of what the man says.

Okay, that’s it for this go around. I have much more writing to do so I may be scarce for a bit!

MR / a.k.a. Murv

Okay…

Between here, there, and everywhere I get a ton of email. Some of it Spam, some of it Treet. (Both of which I thoroughly enjoy, fried, on whole wheat, with a slice of american cheese.)

Some of it is important, some of it isn’t. Some of it warrants a reply, some of it doesn’t. But, what I am on about here is the stuff that needs a reply, but there is so much of it that I don’t have time to do so. Therefore, rather than cut and paste and all that, I am going to answer some of these Frequently Asked Questions here in my blog. Some of the questions truly are asked frequently. Others, not so much, but I found them worthy of a response for one reason or another. So, without further rambling from me (or, not so informative rambling anyway) here we go:

1) I’m interested in being a writer. Can you give me some tips for writing a good story?

Well, let’s address part one of that– Are you insane? You need to be if you want to actually be a writer for a living. Just thought I’d get that out of the way. As to tips, if you ask several authors the same question you will get several different answers. The points where we would all agree, however, would probably be the following: Write about something you are familiar with. If you aren’t familiar with it, then GET familiar with it (ie research). Be passionate about what you are writing. Passion is what makes a good story, not just words joined together in coherent phrases. Accept constructive criticism, and ignore those who have nothing constructive to say. Learn the difference between the two. Write for yourself and no one else. You can’t please everyone. It took me a few bad reviews and a good friend’s advice in order to learn that lesson. Even though you say you are listening to me now, you really aren’t. You will need to learn this lesson on your own just like we all have. The best I can do is tell you what I just did so that you can be prepared for what you have to face. And finally, this is supposed to be fun. If it ain’t fun, the story is going to suck, so stop and write something that’s fun.

2) Will Eldon Porter’s story ever be revisited?

For those who may not have read the RGI series, or aren’t far enough into it yet, Eldon Porter is an antagonist within the story arc who has made two appearances…well really twp appearances and a couple of mentions…throughout. He’s not a particulary nice guy. And, to answer the question, yes. Eldon will return. When, I am not saying…I don’t want to spoil the surprise.

3) Can I have your checks?

This was in response to an earlier blog, and isn’t actually frequently asked. In fact, this is the only time it has been asked. I just thought it was funny. BTW, the answer is NO.

4) Have you ever considered a Rowan Gant Investigations Movie?

Hey, I’d love to see something like that. In fact, a script was actually written. However, I don’t have much control over that…I mean, YES, I have the rights to my works, therefore if someone wants to make a movie based on the books they have to come through me first. However, I don’t have sixty-million laying around in order to finance a movie….so, unless somebody in Hollerwood decides they want to make an RGI movie, I guess we’ll all just have to be happy with the books.

5) If an RGI movie were made, who would you cast in the various parts?

Well, just like the previous answer, I would have no real say in that. The movie folks don’t give a flying rats a** who I want to play the parts. All I did was write the books and create the characters. I couldn’t possibly know who could properly personify them…That said, IF I had some sort of say in it, I think it would be something like this–

Rowan Gant – John Corbett (yes, he’s a bit tall, but they can do all manner of cool stuff with camera angles…hell, they made Gary Sinise a double amputee in Forrest Gump, I think they can probably make Corbett look a bit shorter than whoever played Ben.)

Felicity O’Brien – Lea Thompson (although, if said movie were to be a few years in the future, Scarlett Pomers would be perfect, and my absolute first choice,  if she could do the on again-off again accent and toss about a bit of Gaelic. Right now, however, she’s only like 19 or something, so she’s a bit too young…Especially if Corbett was playing Rowan.)

Ben Storm – Jimmy Smits (I know, he’s not actually Native American, but I think he could pull it off. However, there may well be a NA actor or two out there I haven’t thought of.)

Constance Mandalay – Jewel Staite (throw some makeup at her that would get rid of the girlishness, put her in a power suit and give her a Sig Sauer, and I’m betting the loveable ships mechanic from Firefly would make a great hard nosed FBI agent. Just my personal view.)

The rest of the characters I haven’t really given that much thought where a movie is concerned. However, on other involvements–

Director – Michael Mann, Joss Whedon, Chris Carter (one of the three)

Music – Mark Snow, Greg Edmonson, Tommy Shaw, and James Young (all of the above)

Of course, like I said, the above is all just daydreaming…

6) This wasn’t so much a question as an estimation by someone pointing out that authors don’t actually make a ton of money. Although, the question, however rude, “how much do you make?” has been asked before. So, here is how getting paid as an author works…

Typical royalties are something like 10-12 percent of wholesale, per copy, minus returns (people also don’t realize that the book industry is just about the only one where the merchandise is returnable by the distributor forever.)

So, let’s say you buy one of my mass market paperbacks. They retail at 8.95… Wholesale price to a distributor, on average (depending on quantity discounts, etc. for given distributors) is going to be something like 3.75. Direct to a bookstore probably something like 5.40… Most sales go to the wholesaler/distributors, but for the sake of argument we will average these two which gives us something like 4.58. Soooo, I get right around 46 cents per copy sold (in reality it is less, because like I said, the bulk of the sales go to distributors at a higher discount)…

Now, let’s say 10,000 copies sell during a year (I wish!!). I make a whopping 4600 bucks. NOT 46 Thousand…Four Thousand Six Hundred. However, let’s consider that of those 10,000 copies, 4000 get returned to the publisher. (this is not unusual, as bookstores rotate stock. In many chains, if it hasn’t sold in thirty days, it gets returned to the distributor. If it happens to get damaged in shipping, oh well, too bad so sad, the distributor returns it to the publisher for a full refund..) So, remember, my check is minus returns…So, it now becomes $4600 minus $1840, which leaves me with $2760. But, MR…you say…you have seven books out there. Yeah…So, 7 times $2760 works out to $19,320.

Now, understand, I’m not complaining here. I’m just answering a question. While the calculations above are simplified for the sake of not having to explain all of the intricacies of a royalty report, the end result is pretty much the same. Not wealthy, just making a living.

What about your advance, you say? Well, advances are nice, but unless you are a really big name, they aren’t usually more than 2-5K…AND, the name ADVANCE is literal…It is an ADVANCE against your royalties, so it isn’t free money. You literally won’t see any royalties on that title until such time as it has sold enough copies to have made back the advance monies.

Okay, so there’s your lesson in collecting an author’s paycheck…

And, that’s all of the questions for now. I’ll collect a few more and answer them in a future blog…

MR