BRAINPAN LEAKAGE

Or, so she would have you all believe…

Now, before you die hard “Morrisonites” go nuts and threaten to burn me at the stake, read on, digest the evidence, and THEN make your decision. I suspect you will reach the same conclusion as I.

Now, to understand exactly WHY I am calling her friendship into question, we must begin with Chicken and Dumplings. Why Chicken and Dumplings you ask? Well, for starters, C&D’s are pretty darned good. Especially to folks who are Southerners like Morrison and me. C&D’s that aren’t totally screwed up (i.e. all mushy and gloopy) are comfort food to the Southern palate. They harken back to mama’s kitchen, the big cast iron kettle on the stove, and the wonderful and peppery aroma of stewed hens fresh from the yard combined with the tender and flavorful dumplings that have simmered in the lovely juices. (Damn…now I want a plate of them…*wistful sigh*)

But, to continue, they are a meal that sticks with you for just the right amount of time– they warm you and they even carry the right combination of enzymes to make you feel better when you have a cold. In short, they are one of the most perfect foods on the face of the earth.

Where the hell am I going with this? Read on…

Now, there is something else you should know about Chicken and Dumplings. If you pull into any Cracker Barrel in the United States, they will have a big ol’ pot of C&D’s simmering away in the kitchen. Now, while it is romantic to think they have a replica of mama’s kitchen back there, complete with the cast iron pot, I know better. It is a commercial kitchen, and the C&D’s are more than likely bubbling away in a big stainless steel stock pot, or in a tray on a steam table. But, that’s okay. They learned how to make C&D’s the right way. I even watched a show on Food Network where they talked about learning how to do it properly from a Southern Gramma, so there you go. All I can say is that I’ve had them on countless occasions, and they are VERY good. Damn near the way mama (and, my Grandaddy Babb, who owned a diner in Fulton, KY where I’m from) used to make ’em.

And, of course the point above is that they are already on the stove…What does this mean? Simple – Pull into a Cracker Barrel, and if you’re in a hurry, order the Chicken and Dumplings. They’ll be in front of you FAST, they’ll be good and filling, and you’ll be back on the road in no time.

I know, you still have no clue why it is that I think Morrison is actually evil and out to get me…Keep reading, you’ll understand soon…

So, as you all know Morrison and I tour together quite a lot. And, as I have talked about in the past, book tours encompass many modes of transportation. One of the primaries, however, is still the good old automobile. So, this means that be it my truck, her Jeep, or even a rental car, we cruise the highways and byways of the U.S. much like Tod and Buzz on Route 66. (Yeah, I’m dating myself again, but that’s not the point here…)

Now, being hard working authors, we get hungry. Powerful hungry in fact. Meaning, we need to eat. However, you must remember that there are times when we are doing multiple stores in multiple cities all in one day. So, we are doing a lot of driving and rushing about to get to places on time. Stopping to eat requires that it be QUICK, reasonable, and since we both like for it to be at least halfway decent, Cracker Barrel has literally become the “Official On The Road Restaurant of all Morrison-Sellars Book Tours”… Now, THEY might not know this, but we do…(Hmmmm…maybe we should tell them…That way maybe we’d get some kind of endorsement contract or something…Maybe even some free Chicken and Dumplings…)

Anyway, now I am digressing…

So, here’s the thing. Whenever we stop at Cracker Barrel, since the Chicken and Dumplings are so quick to be had, this allows Morrison an opportunity to shop (let me tell you, this is something she does like a maniac. It’s just plain frightening)…Anyway, so she shops in the “Country Store”…Thus far, she hasn’t forced me to strap a rocking chair to the hood of the vehicle or anything, but she has actually done far worse…

You see, the folks at Cracker Barrel sell some pretty odd crap. Everything from the nostalgic candies of my youth to John Deere hats. However, they also sell silly mechanical noisemaking animatronic bizarro holiday oriented thingywhatsits.

AHA! Now we have the evidence!

Yes. Morrison, being the good “Aunt” to my child that she is, has found it necessary on such occasions to purchase, for my child, these bizarro animatronic whatsits.

We currently have a Parrot which digitally records 5 seconds of sound, then morphs it through filters and replays it not once, but three times in succession at high pitch, high volume, and high speed. However, the thingywhatsit that triggered this particular blog is this:

This damn Easter frog thingywhatsit is currently sitting in a chair in my dining room. As you can see, it ain’t exactly small. On top of that, it is wired with both sound and motion sensors. Now, the thing about these sensors is that they are selectively operating sensors. What this means is that if you for some reason, (like you’ve had a few too many and have lost your mind) actually want to show someone how it works, you can jump up and down in front of it, shout, clap, and even fire a gun next to its friggin’ head and it will just stand there staring at you. (and yes, I’ve always checked to make sure it is switched on.) However, if it just happens that someone’s cell phone rings three blocks away, or a drosophila melanogaster (aka fruit fly) flies past the window, this freakin’ thing starts waving its arms and babbling in a high-pitched, childlike voice- It’s the best Easter ever! Time for an Easter egg hunt! It’s Easter time! Hooray for Easter! ad nauseum…

And that, my dear friends is why I am convinced that Morrison is not really my friend, but actually someone sent by a foreign espionage type agency on a mission to drive me insane.

And, you know what else? I think Kristin Madden is her partner.

Murv

Real questions, real answers (Note that I did NOT say real good answers…)

1) I want to say that your descriptions of paranormal experiences are amazing. How do you visualize the physical experiences so acutely?

I actually responded to this one via email a while back, but I fear I may have misunderstood the question. I went into some depth about my enlisting my wife in acting out various scenarios from the books as I write them. In particular, and I don’t want to give anything away, but for those of you who have read Love Is The Bond do you remember that scene with Rowan and Felicity on the convenience store parking lot? Well, let’s just say we raised a few eyebrows acting that out in our driveway. Why did we act out that scene in the first place? Simple– so I would know what Rowan could see from various positions, what Felicity could see and was capable of accomplishing, and exactly how to describe what was going on.

However, I digress as usual…

In retrospect the young lady may have wanted to know how I visualize the physical effects of the paranormal experiences my protagonist experiences. If that is the case, then she probably thinks I’m a big, flaming idiot at this point for not actually answering the question she asked.

So, if her question was the one I didn’t answer, here it is for all to see: I fake it.

Actually, I suppose I am serious about that to an extent. I pretty much just operate on a set of basic assumptions then extrapolate from there. At any rate, I guess it is working.

The next few questions actually came from a High School student who is doing a book report on Harm None. I emailed my responses to him, but was impressed with several of his questions and thought others might like to hear the answers as well, so I thought I would add them to the FAQ.

2) Was Harm None your first idea for a book? If not, what was your first idea?

Well, it wasn’t my first idea for a book, no. Like most authors I have a filing cabinet full of manuscripts that have never, and probably will never, see the light of day. When I was much younger– actually in High School younger– I wrote quite a large amount of science fiction and was fortunate enough to have a few short stories published in some small genre magazines of the day. To follow through with your question, my first idea for a book was a novella length “space opera” that I set to paper. Unfortunately, a lack of life experience and an overabundance of teenage angst (and hormones) made it an exercise in futility. However, I wouldn’t trade having done it for the world. The process of writing it– no matter how “bad” it turned out– taught me much.

3) Why did you choose to have the setting of the book to be the same as where you live?

That’s simple. We write that with which we are familiar, or can become easily familiar. While I do an enormous amount of research into such things as police procedure, forensics, alternative religions, psychology, etc, there are some things you just can’t get from a textbook. Setting my series in the city where I live allows me to go out, get in my truck, and drive to a location easily and cheaply (well, with gas prices the way they are…but still, it is cheaper than a plane ticket). In doing that I can then clearly describe the nuances of that setting, and be accurate about it as well. It also lends to what is known as “suspension of disbelief”. Remember, some of the elements of my books are slightly over the top, however, if I have lulled you into a world of false reality with my attention to true detail, then you will more readilly accept the oddities I slip in under the radar, so to speak.

Note: Like it says in the front of the books, I do take some liberties with the lay of the land in St. Louis. I actually have changed the names of several parks and municipalities just to be on the safe side. Also, one of the most notable “fictions” is the coffee shop across the street from police headquarters downtown. It doesn’t actually exist. However, I wanted one there in my books so I annexed (via Literary Eminent Domain) a portion of the City Hall parking lot and built a coffee shop there.

4) How long did it take you to write this book (Harm None)?

Start to finish, including research time (interviewing, reading texts, riding with local law enforcement, etc) I write, initially revise, and rewrite a 100k – 120K word Rowan Gant Novel in right around 6 months, give or take a few weeks. It usually takes another 30-60 days of me arguing and pitching fits with my editor (well, not really, but we don’t ALWAYS agree), in order to get any of the publisher mandated changes done or rewrites completed. After that it’s time to start another one (if I haven’t already.)

5) Where were you when you wrote the majority of this book (Harm None)? i.e. coffee house, home, poetry cafe…

The bulk of my writing is done in my office at home. Back then I was working a full time job (other than being an author) so my writing was done primarily on weekends and evenings. Now, I actually must set aside time from my touring schedule to write. However, if I happen to be running behind on a deadline, my notebook computer sees action on airplanes and in hotel rooms (even while I am waiting for my daughter to get out of her “College for Kids” classes.) Still, Harm None itself was written, in its entirety, in my office at home. (The computer it was written on, however, has long since gone to the electronics scrap heap in the sky.)

6) Do you have any advice for the students of my class?

“Wear sunscreen”

If you have not yet heard that song, ask your teacher as I am sure she or he has. If not, look it up on the Internet and listen to it, or read the lyrics (use the link above).

After you are done chuckling and saying “yeah, right, that won’t apply to me,” listen to/read it again and take it to heart. All of it. I couldn’t give any better advice if I tried for the rest of my life. Trust me, I’ve already lived much of what the man says.

Okay, that’s it for this go around. I have much more writing to do so I may be scarce for a bit!

MR / a.k.a. Murv