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  • It Must Be A Yankee Thing…

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    No, I’m not talking about baseball, I’m talking about steak. But, we’ll get to that in a minute. First, let’s chase a different chicken…

    A segment of my life I occasionally mention, but never have spoken about overmuch is that I used to shoot competition archery. I was never a big fan of baseball, football, basketball, or any of the other balls out there, although I did – and still do – thoroughly enjoy Hockey. Therefore, I wasn’t one of those sons who would sit and watch a game on the tube with ol’ Dad, or compare stats, or wonder about the significance of Joe Quarterback’s knee injury where it related to the rest of the team.

    Just not my thing…

    However, while my father was a sports fan, he wasn’t exactly a rabid sports fan, therefore he sought a middle ground where the two of us could relate and do father/ son stuff together. So, back in the early 70’s, he joined the Archery Club at McDonnell Douglas, where he worked. I quickly became interested in the sport, as I suspect he had hoped, and soon joined with him. From early on through the mid-late 70’s, Dad and I shot on indoor league teams as well as in outdoor bowhunting tournaments. While we weren’t “Robin Hoods” by any stretch of the imagination, we were both fairly respectable shooters, bringing home several trophies and awards during that span of time.

    But, as usual, Archery isn’t what this particular blog entry is about. It is, however, a bit of a trailhead for where we are really wanting to go, which is as mentioned earlier, food. It is also about yet another of E Kay’s favorite dishes from my kitchen.

    Still, we aren’t quite done with bows and arrows just yet…

    You see, I’ve made no secret of the fact that I am from the South. (Don’t worry, the subject change whiplash will wear off, trust me)… And, in the South, we do things a bit differently than folks (that being, “Yankees”) do in the North. This most definitely extends to food in almost every sense.

    Back to the curved wood with string and pointy sticks with feathers… During the period of time when Dad and I were at the height of our shooting, we had occasion to be on a team at a National Bowhunting Tournament held in Indiana. It was held on an old strip mine site, and we also manned a booth for an association called Bowhunters Who Care – this is actually where I met Ted Nugent, but that’s yet another story. The point being that we camped on the site for three days while shooting in the tournament, and there was a chow house where we were able to get hot meals since this took place during a time of year when the weather was a bit chilly in the early mornings and late evenings.

    The menu was posted outside each day, and one frosty, see-your-breath-morning it made note that supper that evening was to be Swiss Steak. Well, as it happens I love Swiss Steak and I looked forward to that meal the whole day while we were traipsing through the woods, launching arrows at 3d foam targets from precarious perches on tree stands and such. My mind was so occupied with the thought of a plate of Swiss Steak, in fact, that on an 80 yard shot, I nailed a life size target of a black bear right in the kneecap because my mouth was watering and I was drooling all over my kisser button (an aiming aid on bowstrings).

    So, imagine my utter shock, surprise, and overall disappointment when that evening my Chinette Oval contained a slab of tasteless inedible gristle smothered in a brownish, and equally tasteless gravy. This was not the Swiss Steak I had been eating for my decade and a half of life on this planet… It was… well… crap.

    And so, dear readers, this blog is about Swiss Steak. A commoners low budget meal that warms the heart as well as the stomach, and has become a standing request from E K for her birthday meal every year. Much like the Chili E Kay’s Way of a previous blog entry, when I serve this I definitely don’t get beat by the evil redhead. In fact, this one is so far up on her hit parade that after dinner she rolls around on the sofa with a ball of yarn and purrs so loudly that the windows rattle. It’s kinda cute, actually, but don’t tell her I said that. She hates being called “cute”…

    So, anyway, before getting into the recipe proper, let’s have a look at why what those folks in Indiana slopped onto my plate thirty-odd years ago differs so much from the Swiss Steak for which the E K will turn momentarily kittenish.

    Shoulder steakSwiss Steak, in and of itself, is not actually a particular cut of meat – although you will sometimes actually find Chuck Arm Steaks or Boneless Shoulder Steaks labeled “Swiss Steak”. The name of the dish also has nothing at all to do with neutral timepiece making countries or cheese with holes in it. It actually refers to “Swissing,” which is a process in which fabrics were flattened between rollers. I know, I know, what does rolling fabric have to do with cooking steak? Well, I’ll tell you – “Swissing” a steak is the process of tenderizing it between hammer rollers, thereby creating what we most often see in the supermarket meat section billed as “cubed steak”.

    Cubedsteak2While cubed steak is a perfectly acceptable choice for making Swiss Steak, most cooks (those I know, at least) will choose the aforementioned Chuck Arm, Boneless Shoulder, or in the majority of cases, Round Steak. Then, to start off the process they will either ask the butcher to run their selection through the cuber, or will take it home and beat the living crap out of it with a tenderizing mallet. Personally, I opt for method number 2 myself, because all I have to do is lay out the steak, sprinkle on a bit of seasoning, then hand the mallet to the Evil Redhead and allow her to take out her frustrations on something besides me. (Oh, and let’s not get into any meat beating jokes you dirty minded little monkeys… Be honest, you know you thought about it… It crossed my mind, so it had to have crossed yours…)

    Round SteaksRound steak is commonly used for a couple of simple reasons – it is very easy to find and it’s comparatively cheap, depending on the particular cut, as round steak generally has 4 different versions – Top, Tip, Eye, and Bottom. In any event, whether you choose round, chuck, or shoulder steaks, the commonality is this – these particular cuts are less marbled, and while still full of wonderful beefy goodness in the flavor department, the connective tissues tend to be tougher, hence the need for Swissing.

    So, we now know why the pounded gristle in brown gravy served to me in Indiana was called Swiss steak – it was steak that had been Swissed. But, as I lamented before, it was not the Swiss Steak of the South, and dare I say, of many of the tables throughout other parts of the country as well. You see, for it to truly be what the culinary aware are likely to call Swiss Steak, there is another piece to the recipe puzzle – that being braising – that is, first sear it on high heat, then cook it to death in a liquid in order to further break down those connective tissues and render the meat fork tender. Yes, you should be able to eat Swiss Steak without even imagining the use of a knife, much less actually bringing one to the table. And, something most cooks and every Southerner knows is that adding an acidic element to the braising liquid will help accomplish this task.

    What am I talking about here? Tomatoes, of course. The simple fact of the matter is that no self respecting Southerner would serve something and call it Swiss Steak unless it was meat smothered in tomatoes and onions. And so, while recipes vary, as most generally do, real Swiss Steak is rich with both beefy and tomatoey goodness. Plain and simple. ‘Nuff said.

    Now, on we go with my personal version of Swiss Steak, good enough to make an Evil Kat be a little less evil for an evening.


    REAL Swiss Steak

    (Serves 4 to 6)

    You will need: Cooking tongs, a LARGE skillet with lid, sharp knives, and a meat tenderizing mallet

    bluegrass_Swiss_steakIngredients:

    2 Lbs Beef Round Steak, Trimmed (I prefer Bottom Round, but Top Round will work)
    2 Large Yellow Onions, Chopped
    3-4 Cloves Garlic, Minced
    2 Tbsp Tomato Paste
    2 Cans Diced Tomatoes (14.5 oz each)
    1 tsp Oregano
    1 tsp Thyme
    1 tsp Rosemary
    1 tsp Ground Celery Seed
    Worcestershire sauce
    1 to 2 Cups Beef or Vegetable Stock
    Coarse/Kosher Salt
    Fresh Ground Black Pepper
    Whole Wheat Flour
    Bacon Grease (Around 1/3 cup – Vegetable Oil will work, but it’s just not the same)

    Cooking Directions:

    Preheat the oven to 325 degrees F.

    Chop onions, set aside.

    Cut the trimmed steak into hand sized portions, slicing with the grain. Season both sides with salt and pepper to taste, then pummel it within an inch of its life with a meat tenderizing mallet. Sometimes I will use a papaya based meat tenderizer powder as well, but use this sparingly. Place 1/2 cup whole wheat flour into a paper or zip top bag. Add meat, 2 to 3 pieces at a time, seal and shake. Repeat until all of the meat has been dredged in the flour.

    Add bacon grease (or vegetable oil if you must) to cover bottom of large skillet. Over medium-high heat, sear floured steak pieces in batches until lightly browned. Remove to plate. Increase heat and add beef/vegetable stock to skillet and deglaze. Reduce heat, add tomato paste, oregano, thyme, rosemary, celery seed, garlic, and Worcestershire. Stir until tomato paste is dissolved and spices are fully incorporated. Begin layering steak pieces in skillet, alternating with chopped onions. Cover with both cans of tomatoes. Bring to a simmer for 10 -15 minutes, then cover and place skillet in oven for 1 to 1 1/2 hours.

    Allow to rest before serving. Meat should be fork tender and falling apart.

    Serve with fresh, lumpy mashed potatoes or steamed rice. Buttered peas or green beans make the perfect compliment to round out the meal.

    Variations:

    If I was making this dish solely for myself, I would also add a chopped bell pepper to the ingredient list, however E K and bell peppers don’t get along. It has something to do with a shish kebab, a riding crop, a bottle of Ouzo, a seedy motel room in New Jersey, and a restraining order. E K staunchly refuses to talk about it, suffice it to say, she is not allowed within 100 yards of any bell pepper, regardless of variety. Therefore, whenever I prepare Swiss Steak here at home I am not allowed to add bell peppers.

    I have been known to add chopped celery to the pan if I have it on hand, but I don’t go out of my way to obtain it in order to fix Swiss Steak. That’s what the ground celery seed is for.

    And there you have it…

    More to come…

    Murv

  • The “It” Effect…

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    This is a typo. This is a typo on drugs… Any questions?

    Today’s missive is just a quick Public Service Announcement. Granted, it is as much for my own sanity as it is for serving the public… Actually, it might not serve the public that much… Maybe not at all… But, I’m pretty sure it will make me feel better, so I’m going to do it anyway… (and, as it turns out, it’s nowhere near as quick as I thought it was going to be…)

    itsSo, anywho… Long about once each year I receive an email from someone who is itching to tell about “it.” I mean literally, they want to tell me about the word “it.” In particular, the possessive form “its” and the contraction for “it is,” that being “it’s.” You see, these folks are under the impression I don’t know the difference.

    To be fair, I can see where they may believe this to be true. I’ll explain that in just a minute. But, moving right along…

    Sometimes these folks are exceptionally rude and pedantic about “it.” They have even been known to call me names and write very uppity, nasty, holier-than-thou missives, talking down to me from their crumbling pedestals – I say crumbling because it never fails that the folks who elect to be nasty about “it” send letters and email that are riddled with other typos and horrendous grammatical errors. To their credit, however, they do get “it” correct. But, credit or no, I think these people should seek counseling for anger management and learn to interact with others sans the attitude.

    it'sNow, on the other hand, some folks are very nice about it. While the belabored point is still very annoying to me, I can appreciate folks who are nice and to them I raise a glass. Hell, I actually take the time to answer their letters and emails about “it.”

    The nasty folks, not so much…

    At any rate, time has rolled around again for me to receive an email about “it.” This time the young lady was very nice about it and we exchanged a few notes, played with pencils on the group W bench, and generally had a good time. So, no problem there…

    Still, in the interest of trying to make this whole thing go away – which I never, ever will I’m sure – not that I won’t keep trying – we have today’s blog entry.

    Around a decade ago, my first novel landed on bookstore shelves. Harm None: A Rowan Gant Investigation. Not my best work… I mean, hell, it’s a first novel. Even so, it’s pretty damn good – in my opinion, anyway. Good enough that it is in its umpteenth printing at this point. But, I’m not here to brag on Harm None. I’m here to apologize for an error that in and of itself is a comedy of errors. A sad, tragic, and painful comedy, but a comedy nonetheless. Both the publisher and I have apologized for this screw-up countless times. However, I suspect I will continue to do so for the rest of my life when I receive my annual complaint email.

    You see, it’s like this – As is often done, a manuscript will see a rough layout and be bound with basic cover art, all for the purpose of rushing it out to reviewers. These ARC’s (Advance Reader Copies) are usually either imprinted with the above acronym, the words themselves, or “stickered” as such. This way the reviewer knows that the book is likely to have typos, formatting anomalies, and even grammatical errors which haven’t been fixed yet. The reason this is done is that most all review publications and reviewers are so swamped that it is necessary to provide them with a review copy 4 to 6 months in advance of the book release. Often times the editing process is only just entering its stride at this point, and is far from over.

    And so, this brings us to the sad, sad comedy of errors that has plagued me these last 10 years…

    When I wrote Harm None I was using an ANCIENT DOS based word processing program, with a very buggy, “freeware”, auto-correcting third-party spelling and grammar checker. Unfortunately, you get what you pay for and while the programmer who wrote this bit of freeware was good with code, s/he wasn’t so stellar with grammar. And so, all of my “its” became “it’s”.

    I neglected to double check things after running the checker. My bad.

    No biggie though. Editors fix these things, and in fact, the “it’s” that needed to be “its” were corrected. But alas, the tragic comedy still wanted its day in the sun.

    Through an unfortunate mix-up, the uncorrected ARC files were mounted when the first print run was scheduled for Harm None. The presses whirred, paper flew, ink splattered, and before anyone caught it, close to 2000 copies of the novel were printed using the wrong signature and cover files.

    No worries… The presses were stopped, the proper files mounted, and the process began all over again.

    Of course, the not so funny comedy wasn’t through yet.

    Through mis-communication, overly efficient workers, and not so divine providence IMHO, books printed from the improper files – which had been set aside to be destroyed – were instead bound, trimmed, stacked, packed, and then shipped.

    Shipped to distributors, stores, and the four winds.

    The dark and tragic comedy laughed as it watched bookstores, distributors, and even me sell the flawed books to unsuspecting readers, all the while unaware of the ugly practical joke fate was playing upon us.

    Then, we found out. Unlike the comedy itself, we did not laugh. In fact, I cried, as did my publisher, publicist, and even some of my friends.

    So, there you have it. Something on the order of 1800+ horribly flawed copies of Harm None have been in circulation for 10 years now, and it seems that many of them have found their way into libraries. And, as will happen, I get my annual email/letter from someone who wishes to lecture me – or, more rarely, simply point out in a polite manner – the difference between “its” and “it’s.”

    For the record, I know the difference. And, also for the record, you have my most profuse apologies for this horrible error that has been perpetrated upon you, me, and the rest of the reading public. If I could make those 1800 flawed copies go away, I would. But, I cannot. My Kung-Fu just isn’t that strong…

    So, in closing, here is an easy way for you to know if you or your library is in possession of one of these flawed copies of Harm None:

    hncover1

    If the cover on your copy of Harm None looks like the picture above, with a delineated grey panel down the center, and a grey box on the back, you are holding either an original ARC or an ARC that should never have been. If this is the case, please don’t email me with a lecture on grammar, spelling, “its vs. it’s”, or any other complaint about formatting or even coffee stains for that matter.

    HNSMALL

    If the cover looks like this one, then you are in possession of a proper and/or later printing. This is not to say you won’t find a latent typo. One or two squeak by now and again, no matter how good the editor. But, look at the copyright page to check the date of the reprint, because reported typos are always fixed in subsequent printings.

    On a next to final note – The cover art for Harm None might be changing. I have recently been informed that the Mass Market Paperback editions of the first three Rowan Gant Investigations novels – the only books in the series to have been released as Mass Market originals – are to be discontinued when the current stock runs out.

    However, do not fear – the books will remain in print.

    They are simply being re-formatted to a 6X9 Trade Paperback size to match the rest of the RGI novels. In making this format switch, it is entirely possible fresh cover art will be employed.

    Personally, I’m looking forward to seeing what they do, as I am constantly amazed by the cover art they come up with for all of their titles, not just mine.

    Now, for the final note – regarding the flawed copies themselves. I have heard – though I have only the words of some eyewitnesses – that at least one of these flawed copies sold at a charity auction for nearly $200 due to its “rareness.”

    Personally, I won’t consider it truly rare until I stop receiving the complaint emails, but hey, if $200 was raised for charity then I am willing to say this tragic comedy had itself a happy ending.

    Of course, that note probably isn’t as final as I’d like, because I suspect I’ll be writing about this again just one short year from now, just like I have for the past decade…

    More to come…

    Murv