BRAINPAN LEAKAGE

Right out of the gates allow me to point out that Kurt Cobain and I share the same birth date. Now, I’ll grant you, there were quite a number of years separating us – he was the youngster and me the oldster – and I’m also still having those birthdays, quite unlike him. However, the point is we share a birth date so I think that allows me to bastardize the names of a couple of songs. So there…

Of course, as usual this blog is not about Kurt Cobain. Nor is it about Nirvana, The Foo Fighters, or any such thing.

It is, however, about Lithium… Or Thorazine… Or Haldol… Or any other antipsychotic you might be able to imagine. Why? Because I know some folks who need some. Scratch that… “Some” isn’t even close. Dump truck loads… Tanker truck loads… Just keep it coming.

But, let’s jump back to the beginning… Sorta.

You see, as an author of Paranormal Thrillers / Dark Urban Fantasy, I get to meet some very interesting folks. Some of them are, as I said, interesting. Others are more along the lines of interesting… Get my meaning?

Allow me to illustrate. I recently launched a book. Some of you may have heard of it – Miranda: A Rowan Gant Investigation. Now, as with previous books and as many authors do, I had a launch party. Nothing big. Not really a soiree or anything. Just a big cookie and a book signing. In the past I’ve done bigger sorts of parties for book launches, but I went for a minimalist approach this time, mainly because the economy sucks. But, I’m getting off track…

This go around I arrived at the store that was hosting the launch and they were also having a psychic fair. All good. More traffic, more folks to chat with. No problem there. Well, a psychic fair means “psychic readers”… Folks tossing out tarot cards, runes, whatever. Again, all good.

Or, so I thought…

I hadn’t been in the store 10 minutes that I was approached by one of said readers. The first thing she said to me was, “You’re the vampire guy, right?”

“Ummm, no,” I replied. “I’m the author guy.”

“But you write about vampires,” she said.

“No,” I replied with a smile. “Actually, I write paranormal suspense thrillers about a witch who helps the Saint Louis police solve serial murders and the like.”

“But there are vampires in them.”

“Well… I wrote one book that had a serial killer who pretended to be a vampire,” I said, picking the particular volume from the table and holding it up. “It was titled Blood Moon.”

“Well, I’m a real vampire slayer,” she replied, not even bothering to look at the novel in my hand.

I blinked. I blinked again. Then with my outside voice I said, “I see.”

My inside voice, however, was saying, “Sugar, I’m pretty sure you aren’t that Buffy chick… She’s quite a bit younger than you…”

“That’s what I do,” she continued. “I travel around the world slaying vampires.”

My outside voice said, “Oh. That’s nice.”

My inside voice spoke up again and said, “Really… And you hide the bodies where?”

“I just cut the twelve cords,” she announced.

My outside voice said, “Oh. That’s nice.”

My inside voice said, “You might have cut the cheese, but that’s about it. I think it’s more like you just escaped from a mental ward somewhere and people in white coats are looking for you.”

“I gathered up the twelve cords of the blah blah-blah de blabbity blah blah blah…” she continued.

My inside voice said, “I wonder how much Haldol it takes to put you down? You aren’t all that big, but with this level of psychosis I’m thinking, oh, I dunno, a quart. Quart and a half?”

My outside voice said nothing.

However, my outside face smiled and my outside head nodded. When you run into interesting people at a book signing, that’s pretty much all you can do unless you want to look like an ass to all of the actual interesting people who are standing around waiting to chat with you.

Eventually “Buffy” started winding down, “Blah blah, de blabbity and so a crack in the earth is a good thing. Oil spilling into the gulf from the earth just goes to show you that I managed to slay blabbity blah blah vampires.”

“Oh. That’s nice,” my outside voice said.

“Yeah, you’re definitely a fucking frootloop,” my inside voice mumbled. “Oil spilling into the gulf is a good thing? Sheesh…”

“So, you don’t read?” she asked.

“Sure I read,” I replied. “I mean, I write books so it kinda comes with the territory.”

She shook her head and gave me an exasperated sigh. “I mean you don’t read for people.”

“Come again?”

“You aren’t a reader. You don’t see things like the person in your book.”

“Oh,” I said with my outside voice.

“Here we go…” I said with my inside voice.

My outside voice continued talking. “No, I don’t talk to dead people or have visions like my character, but I have helped the police in the past by answering questions about paganism and some of the symbology.”

“Then that’s what you should do,” she announced.

“What do you mean?” I asked.

“You should quit writing about it and just help the police.”

I shook my head. “Why?”

“Because then you’d be helping.”

“I think I’ll stick to writing,” I said with my outside voice. “After ten books it’s kinda become a habit.”

My inside voice said, “Wrong guess on the Haldol. Gonna take three quarts for this one…”

“Well,” she grumbled as she wandered off to do a psychic reading for a client. “I was really hoping for your fans to show up so I could slay them.”

“I wonder if they have sharp, pointy objects in this store?” my inside voice wondered.

“Oh. That’s nice,” my outside voice said.

But, you know what made the day even better? A few hours later one of the other “readers” came up to me and said, “You’re the vampire guy, right?”

I sighed as my outside voice automatically spewed, “No, I’m the author guy.”

“Jeezus H. Chhhhhrrrriiiiissssst! Not another one,” my inside voice groaned.

“Oh,” she said. “Well, I just read Abraham Lincoln:  Vampire Hunter, and it’s a true story taken from his private journals, you know. So, I thought you would find it interesting that one of our presidents was a famous vampire slayer and we’re just now finding out about it.”

“Oh. That’s nice…”

She’s all yours, Seth*. I don’t do vampires. That’s your schtick… I already have a whole box of frootloops who think they can actually ride brooms. I don’t need your mixed nuts too…

More to come…

Murv

* Seth Grahame-Smith – author of Abraham Lincoln:  Vampire Hunter

I recently rambled about the -30- at the end of manuscripts. If you happen to follow me on Facebook, Twitter, or any of the other social networks I have linked to my ping account, you are most likely well aware that I just finished a writing project. Hence the sudden interest in the number 30…

But, while typing that symbolic notification of “the end” draws my “work in progress” to a close, I’m never quite finished. There are tweaks, editing, final revisions, and all that jazz – not to mention hopping onto the promotional bandwagon and “selling” the book. However, those aren’t the things I am talking about either.

Anyone who has been around me when I am working on a manuscript knows that I go through phases. Simply for the sake of explaining my process, I’m going to try to break them down for you here. By the time you are finished reading this, you will likely believe I need to be living in a padded cell.

PHASE ONE: I start out by diving into whatever research is necessary for that particular work. For instance, when I started the Miranda Trilogy, I knew next to nothing about Vodoun and Hoodoo. While I’m still no expert by any stretch of the imagination, I came out on the other side of that first book in the trio with more than just a passing knowledge of both. Granted, there are times throughout the penning of a manuscript where the story will take a direction I hadn’t foreseen, and this will require me to stop and take a day to research something in order to be accurate. But, for the most part, the reading, interviewing, and info gathering generally comes at the beginning of a project.

PHASE TWO: Next, I move into the, “Gawd, this is like pulling hen’s teeth” phase. I’ve started writing and at about 10-15K (word count) I hit this imaginary wall. It’s a barrier that is built out of my own self-doubt and inner fears about whether or not the story is going to be worthwhile. Suddenly, squeezing out a thousand words in a day is laborious. Nothing has changed quality-wise, but I spend so much time doubting myself that the characters decide to go sit at the bar and wait until I get over my one man pity party. I have even gone so far as to say to E K, “I don’t know what made me think I could write in the first place.” This is usually greeted by a couple of slaps, followed by a stiletto heel to the head. She’s all about negative reinforcement, ya’know…

Then, we move into PHASE THREE. Words are flowing, the story is unfolding, and I look forward to sitting down at the keyboard each day. Oddly enough, Phase Three is the least stressful of them all. (Not that the stress is all bad, mind you. There are definitely good kinds of stress…)

PHASE FOUR hits at about 40-50K, and things change again. No longer do I  merely look forward to sitting down at the keyboard, I begin to dread having to leave it. The story has not only continued to unfold, but I am now sleeping on the couch in my character’s home(s). I’m sitting in the back seat of their vehicles whenever they go somewhere. I am standing right behind them when something happens. I am a part of their world, and I belong. This is generally the point where I become very hard to live with – not because I’m an asshole or anything, although you might want to check with E K on that just to be sure. The primary reason is that I am not here. Brainpan-wise, I am no longer a resident of the here and now. 24 hours per day, 7 days per week, I am living in a different world inside my head. I am seeing all of the things that are happening behind the scenes. What I mean by that is simply this: I see the manuscript happening in real time, and all of the stuff that never makes it to the page. The boring interludes where Rowan and Felicity might be sleeping, or Ben is fixing himself a grilled cheese sandwich using a folded sheet of aluminum foil and an iron.

I am an observer in their world, and even though only a small fraction of their time is chronicled on the pages of that particular novel, I am witnessing it all. Every last second…

When I come downstairs from my office I am told there is a vacancy in my eyes. It’s flat out noticeable. The lights are on, but Murv is long gone. E K will see it right away, and now that my daughter is older she sees it too. They both give me a wide berth, and talk to me only about what is absolutely necessary – again, not because I’ve turned into an ass, but because my brain is somewhere else entirely.

PHASE FIVE is even worse. Not only do I live with my characters, I form an empathic connection with them at the basest of levels. What happens to them, happens to me. I feel their pains – physical and emotional. I weep with them, I fear for them, and I even become physically exhausted with them. At this point there is usually only 25-30K left to write. Now, the relationship between the manuscript and me becomes pseudo-sexual. The “foreplay” as I like to call it, is hot and heavy. The “climax” is only a few short chapters away. Everything quickens, and my daily word count, which started at 1K, then progressed to 2K, is now in the 3K or better range. My wife comes home to someone she doesn’t know. A taciturn and at times almost catatonic individual who stares into space while moving through the motions of life in a purely mechanical fashion. I am like a junkie looking for a fix. All I can think about is getting back to the keyboard, and although I take notes on a constant basis through every phase, by now if I am not at the keyboard I am scribbling on anything viable with anything that will make a mark, just to be sure I remember. I begin to spend all of my time sequestered away, living the lives of my fictional “family.”

PHASE SIX arrives when the “literary orgasm” occurs. Everything has come together into an explosive, emotional ejaculation that leaves me tangled up in the proverbial sheets on a bed of my own making. I’m spent, as are the characters, but it’s not over.

PHASE SEVEN is the cigarette and cuddling. All of us – characters and me as well – have to debrief. We talk it out among ourselves, making sure we understand what it is we just experienced.

And then comes the -30-, the scotch, and the cigar…

But, like I said, it isn’t over. There is a PHASE EIGHT… For several days following that numerical end mark, I continue to sleep on their sofas. I dine with them, I walk the dogs with them, I watch them when they sleep, like some kind of nebulous, fictional stalker. Then, slowly, I begin to fade from their world. I feel myself being tugged back into reality by those who need me here. And eventually, my life with Rowan, Felicity, Ben, Constance, and all the others becomes a bittersweet memory, underscored by a longing for my next foray into their world.

And… There you have it.

I’m relatively certain some – if not all – of you will probably think I am insane now that you have read this, and to be honest, I wouldn’t blame you. E K did the first time I confided all this to her, but thankfully she didn’t have me committed. A year or so later she was reading a book by another author (she does that a lot) and discovered in the afterword that I was not alone. That other authors develop these deep seated relationships with their characters, and see them as very real – even if the “real” only lasts for a very short time.

Even so, I know it sounds nuts. I actually think all fiction writers – myself included – are by definition just a little bit insane. But, you know what? I think maybe I like it that way.

More to come…

Murv