BRAINPAN LEAKAGE

I have no doubt that some of you are far too young to have any clue what the hell the title of this blog references. Or, more importantly, my hidden meaning behind it. But, since you, my readers, tend to surprise me at every turn, I could well be wrong and every single one one of you might know exactly what I am trying to say, in which case you can probably just stop reading now and save yourself some time. Or not. I mean, what fun would that be?

At any rate, I suppose you will let me know. You always do…

So, let’s make our traditional left turn at the Jersey turnpike and start somewhere left and slightly above the middle, like usual…

There I sat last night watching the premiere of “168”. Now, don’t go running to the TV guide looking to see if there is a new show you haven’t heard about, because I’m sure you’ve heard of this one, just not by that particular title. It’s actually pretty easy if you do the math – 168 / 24 = 7. So, yeah, what I’m talking about is “24” season 7 (or as they say, “day 7″…) If you happen to be one of the folks who gave up on this series after the mind numbingly repetetive, lackluster, shamelessly predictable, unbelievable (even with suspension of disbelief), and horribly cardboard cutout seasons three through six, I don’t blame you. I almost did so myself. As a matter of fact, I had quite vocally resolved not to waste my time with it ever again. Why I bothered to watch seasons three through six is beyond me. It probably had something to do with brain drain. (At this point I do feel compelled to note that while seasons 3-6 were at best, unimpressive, the first 12 episodes of season 4 DID contain a very shiny bright spot – that being a friend of mine, Alberta Watson, who portrayed Erin Driscoll, head of CTU. She could have kicked Bauer’s ass, and they should have let her… But, that’s just my opinion.)

At any rate, like I said, I wouldn’t blame you at all if you have given up on “24”, 48, 72, ad nauseum. However, after seeing a couple of clips and hearing a fairly well balanced review and interview on NPR, I bought into enough of the hype to give it a go. To my genuine surprise, “the following that took place between the hours of 8AM and 10AM,” last night didn’t suck at all. In fact, they were pretty good. Therefore, I will be parked in front of the “toob” tonight in order to catch, “the following that took place between the hours of 10AM and 12PM.” If those are also blatantly suckless in value, then I am likely to follow it right on round the clock to 8AM once again. Of course, it doesn’t hurt at all that there’s a smokin’ hot, redheaded FBI babe paired up with Bauer this season. Or that she is portrayed by actress Annie Wersching, who grew up right here in Saint Louis (local pride and all, ya’know…). And, we all know my penchant for redheads with strong personalities… (yeah, I know, ‘nother blog…)

On a side note – if some intern at FOX is scouring the internet for references to “24“, 168, what have you, in order to do market research and happens to run across this blog, I have two messages for the powers that be: First, cancelling Firefly was epic fail, kids. You shot that series in the foot, then blamed it for your incompetence and used that as a reason to cancel it. Admit your mistake and fix it. Secondly, where “24” is concerned, tell your writers that it will suck even less if at some point Bauer gets tired and has nappy time. They included this in season one, and that is one of the things that made it believable. Yeah, he can stay up for 24 hours straight, but he can’t be fresh as a daisy the whole time. Give us a break…We’ve all stayed up past midnight at some point in our lives, so we know what kind of effect it has on a person. We are nowhere near as stupid as you think we are…

Now, back to the regularly scheduled rambling…

But, ya’know, I didn’t come here to give you a review of 168 / 7 today…I didn’t even come here to yak about dominos…well, actually I’m lying about that last part. Dominos seem to be a big part of my life at the moment. Everything triggers a memory and there ya’ go…

So, anyway, Network 23…wait, I’m getting a bit ahead of myself.

So, anyway, DTV…The wonderful, federally mandated, “Digital Television”… Yeah, okay… So, they are forcing broadcasters to switch to a digital signal, thereby forcing consumers to switch/upgrade/otherwise retrofit their receivers to be able to handle said digital signal. This is all being done in the name of freeing up the analog airwaves for other uses. Not sure why that is, honestly. I mean, why couldn’t the other uses just go ahead and use the digital band and leave well enough alone?

Don’t get me wrong. I’m am not some kind of stick in the mud…well, yeah, maybe I am…but, that’s not the point. Stop getting me sidetracked…What I’m trying to say is that I am certainly not against digital technology. I’m sitting here using a computer, correct? I spent 25 years as a computer technician, and recently discovered that my skills haven’t completely rusted shut – not just yet, anyway. I was even a partner in a recording studio some years back, and for the day, we had the latest and greatest digital equipment available. Yet, we still had clients who insisted on using “tube mics” (analog microphones) and analog tape, because of the ambiance it would lend to the sound…

But, here’s why I am having a bit of a problem with this whole DTV thing – Federal mandate and added cost aside. (I mean, I already have satellite TV, so I’m not actually affected where the whole buying a converter box thing is concerned…) My issue is quality. Yeah. Imagine that.

“But Murv, digital is so much clearer, blah blah blah…”

Is it? One would think, yes. I mean, even I thought it would be. But, last night as I sat watching “168” I was proven wrong. You see, throughout both hours of the program it was plagued with digital dropout, signal loss, bizarre digital artifacts, and yes, the good ole “Max Headroom” syndrome, whereby Jack Bauer spent a good part of the time stuttering across my screen as he jerked about like someone holding on to a bare extension cord.

Some of you old timers are now understanding the reference in the title. Those of you who aren’t are probably following the Max Headroom link and will get it very shortly.

So, here’s my thing… I have no idea what the government plans to do with all of these analog frequencies they are freeing up. I think I saw an article about it once, but quite honestly it wasn’t important enough at the time for me to care and remember what it said. However, if DTV is going to effectively thrust us back into the age of Black and White Cathode Ray Tubes and Rabbit Ears with tin foil (yeah, it was tin before it was aluminum) wrapped around them (something I am, unfortunately, plenty old enough to remember quite vividly), I can see a revolution coming…

Just like in Max Headroom. Beat up Winnebagos and Buses traveling the highways pursued by the FCC in their dark government sedans. Constantly hiding out in alleyways, cranking up retractable mast antennas, and all  manned by cyberpunkish folks like Blank Reg and Dominique (see Max Headroom link). A ragtag group of dissenters, defiantly broadcasting whatever they can on pirated analog frequencies, if for no other reason than to provide a picture that doesn’t jerk around the screen like a frog in a hot frying pan before randomly turning into colorful little squares and jibbering like a CD with a scratch in it.

Hmmmm… I already know what EK looks like in leather. (uh-huh, another blog… and probably not Myspace friendly…) I wonder what I would look like in a purple mohawk and a handful of tattoos? Maybe I should buy myself a used schoolbus and go visit an auction or two. I’m betting analog transmitters are gonna be going cheap…

More to come…

Murv

Okay…

Between here, there, and everywhere I get a ton of email. Some of it Spam, some of it Treet. (Both of which I thoroughly enjoy, fried, on whole wheat, with a slice of american cheese.)

Some of it is important, some of it isn’t. Some of it warrants a reply, some of it doesn’t. But, what I am on about here is the stuff that needs a reply, but there is so much of it that I don’t have time to do so. Therefore, rather than cut and paste and all that, I am going to answer some of these Frequently Asked Questions here in my blog. Some of the questions truly are asked frequently. Others, not so much, but I found them worthy of a response for one reason or another. So, without further rambling from me (or, not so informative rambling anyway) here we go:

1) I’m interested in being a writer. Can you give me some tips for writing a good story?

Well, let’s address part one of that– Are you insane? You need to be if you want to actually be a writer for a living. Just thought I’d get that out of the way. As to tips, if you ask several authors the same question you will get several different answers. The points where we would all agree, however, would probably be the following: Write about something you are familiar with. If you aren’t familiar with it, then GET familiar with it (ie research). Be passionate about what you are writing. Passion is what makes a good story, not just words joined together in coherent phrases. Accept constructive criticism, and ignore those who have nothing constructive to say. Learn the difference between the two. Write for yourself and no one else. You can’t please everyone. It took me a few bad reviews and a good friend’s advice in order to learn that lesson. Even though you say you are listening to me now, you really aren’t. You will need to learn this lesson on your own just like we all have. The best I can do is tell you what I just did so that you can be prepared for what you have to face. And finally, this is supposed to be fun. If it ain’t fun, the story is going to suck, so stop and write something that’s fun.

2) Will Eldon Porter’s story ever be revisited?

For those who may not have read the RGI series, or aren’t far enough into it yet, Eldon Porter is an antagonist within the story arc who has made two appearances…well really twp appearances and a couple of mentions…throughout. He’s not a particulary nice guy. And, to answer the question, yes. Eldon will return. When, I am not saying…I don’t want to spoil the surprise.

3) Can I have your checks?

This was in response to an earlier blog, and isn’t actually frequently asked. In fact, this is the only time it has been asked. I just thought it was funny. BTW, the answer is NO.

4) Have you ever considered a Rowan Gant Investigations Movie?

Hey, I’d love to see something like that. In fact, a script was actually written. However, I don’t have much control over that…I mean, YES, I have the rights to my works, therefore if someone wants to make a movie based on the books they have to come through me first. However, I don’t have sixty-million laying around in order to finance a movie….so, unless somebody in Hollerwood decides they want to make an RGI movie, I guess we’ll all just have to be happy with the books.

5) If an RGI movie were made, who would you cast in the various parts?

Well, just like the previous answer, I would have no real say in that. The movie folks don’t give a flying rats a** who I want to play the parts. All I did was write the books and create the characters. I couldn’t possibly know who could properly personify them…That said, IF I had some sort of say in it, I think it would be something like this–

Rowan Gant – John Corbett (yes, he’s a bit tall, but they can do all manner of cool stuff with camera angles…hell, they made Gary Sinise a double amputee in Forrest Gump, I think they can probably make Corbett look a bit shorter than whoever played Ben.)

Felicity O’Brien – Lea Thompson (although, if said movie were to be a few years in the future, Scarlett Pomers would be perfect, and my absolute first choice,  if she could do the on again-off again accent and toss about a bit of Gaelic. Right now, however, she’s only like 19 or something, so she’s a bit too young…Especially if Corbett was playing Rowan.)

Ben Storm – Jimmy Smits (I know, he’s not actually Native American, but I think he could pull it off. However, there may well be a NA actor or two out there I haven’t thought of.)

Constance Mandalay – Jewel Staite (throw some makeup at her that would get rid of the girlishness, put her in a power suit and give her a Sig Sauer, and I’m betting the loveable ships mechanic from Firefly would make a great hard nosed FBI agent. Just my personal view.)

The rest of the characters I haven’t really given that much thought where a movie is concerned. However, on other involvements–

Director – Michael Mann, Joss Whedon, Chris Carter (one of the three)

Music – Mark Snow, Greg Edmonson, Tommy Shaw, and James Young (all of the above)

Of course, like I said, the above is all just daydreaming…

6) This wasn’t so much a question as an estimation by someone pointing out that authors don’t actually make a ton of money. Although, the question, however rude, “how much do you make?” has been asked before. So, here is how getting paid as an author works…

Typical royalties are something like 10-12 percent of wholesale, per copy, minus returns (people also don’t realize that the book industry is just about the only one where the merchandise is returnable by the distributor forever.)

So, let’s say you buy one of my mass market paperbacks. They retail at 8.95… Wholesale price to a distributor, on average (depending on quantity discounts, etc. for given distributors) is going to be something like 3.75. Direct to a bookstore probably something like 5.40… Most sales go to the wholesaler/distributors, but for the sake of argument we will average these two which gives us something like 4.58. Soooo, I get right around 46 cents per copy sold (in reality it is less, because like I said, the bulk of the sales go to distributors at a higher discount)…

Now, let’s say 10,000 copies sell during a year (I wish!!). I make a whopping 4600 bucks. NOT 46 Thousand…Four Thousand Six Hundred. However, let’s consider that of those 10,000 copies, 4000 get returned to the publisher. (this is not unusual, as bookstores rotate stock. In many chains, if it hasn’t sold in thirty days, it gets returned to the distributor. If it happens to get damaged in shipping, oh well, too bad so sad, the distributor returns it to the publisher for a full refund..) So, remember, my check is minus returns…So, it now becomes $4600 minus $1840, which leaves me with $2760. But, MR…you say…you have seven books out there. Yeah…So, 7 times $2760 works out to $19,320.

Now, understand, I’m not complaining here. I’m just answering a question. While the calculations above are simplified for the sake of not having to explain all of the intricacies of a royalty report, the end result is pretty much the same. Not wealthy, just making a living.

What about your advance, you say? Well, advances are nice, but unless you are a really big name, they aren’t usually more than 2-5K…AND, the name ADVANCE is literal…It is an ADVANCE against your royalties, so it isn’t free money. You literally won’t see any royalties on that title until such time as it has sold enough copies to have made back the advance monies.

Okay, so there’s your lesson in collecting an author’s paycheck…

And, that’s all of the questions for now. I’ll collect a few more and answer them in a future blog…

MR