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  • Getting Serious, Redux…

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    Yeah… I know. But sometimes that happens…

    I have met some wonderful people throughout my touring, etc. I have made some very dear friends. Hell, I’ve even made a few enemies, probably. But, this blog is about one of the friends.

    In reality, what this is about is his blog…

    While I have some widely varied opinions on controlled substances – for instance, I believe Marijuana should be legalized. It’s not my thing- Scotch, Bourbon, Martini’s and Vodka Tonics are (in moderation) – but I still think it should be legalized. Just my two cents.

    However, there are other drugs which are so insidious and addictive that they literally destroy lives. I have seen this happen with former friends who were unable to shake the addiction. Fortunately, in a few instances, they were…and, by their own choice, after succeeding in breaking the cycle have chosen to move away and start new lives, forsaking their pasts – even the good parts. While I miss them, I am supportive of them in doing this…If that is what it takes for them to stay clean, and have a liveable life…

    But, the point behind this was my friend’s blog. He has seen far more than I have, and has written something from experience which is more powerful than anything I could ever say on this subject. I would like to suggest that EVERYONE read it. It is important… It brings the reality home… And, it promotes a deep understanding of the real victims of someone’s addiction.

    With his gracious permission, I have reposted the blog below…

    Thanks…

    More to come…

    Murv

    *     *     *     *     *

    A Taste-Johnny Seitz

    Sinus pills. Cough syrup. Drain cleaner. Hair spray. Fertilizer. Paint thinner. Freon. Brake fluid. Battery acid. Lye. Epsom salt. An inability to sleep. Loss of tooth enamel. Increased sensitivity to noise and light. Paranoia. Confusion. Razors. Syringes. Baggies. Foilies. Smoke. Snort. Shoot. Amp. Ice. Speed. Glass. Dope. Crank. Meth. An amphetamine derivative in the form of a crystalline hydrochloride. Used as a stimulant to the nervous system. High. Spun. Hopped up. Doped. Tripped out. Tweeked. Zoomed.

    It controls you. Changes you. Breaks you down and rebuilds you. Nothing else matters. Not your house. Your bills. Your kids. Your job. The next fix. That’s all there is. That rush. That boost. Feeling alive. Being awake. Clean the house. Make some money.

    No.

    Generalities. Cold fact. Words…

    See all the holes in the wall? Those are where the under cover’s had put the wires to listen in. And those trash bags covered with blankets stapled to the windows, those are to keep people from watching. Why is the carpet gone by the couch? Because that mother fucker hid some dope in here somewhere…I saw him messing around over there and I know he put that shit under the carpet. All these clothes are in a pile because I’m sorting through them. All my jewelry? I have it in a sandwich bag hidden in the fireplace so people don’t try to steal it. I took the TV apart so I can rig up a camera to watch the door so I know if people are sneaking up on the house.

    “Did you hear that?”
    “No.”
    “Shh! The dog’s barking, fucking cops must be outside! Get on the floor!”
    “Why get on the floor? The window’s are all covered?”
    “FUCKING DO WHAT I SAY!”
    “The dog’s probably barking because you haven’t fed her in a week.”

    Three a.m. You’re 14. Your bedroom door swings open and screaming and profanities stream in. Before your eyes are even open you hear the sounds of breaking glass. The light comes on and you see your mother, naked and brandishing a hammer, screaming and smashing in the middle of your room. You can’t follow what she’s saying, it’s too sporadic. It’s too loud. You sit, stunned for a moment, taking in what is going on. Trying to make sense of a senseless situation. Then the hammer takes out your TV screen, and your pictures on the wall. You try to stand up but as you move, something flies at your head and shatters next to your ear. It’s a glass bowl. The screaming is getting louder and the hammer is finding more and more targets. The floor to ceiling mirror. The stereo. Knocking holes in the wall. Throwing object after object at you, who is still struggling to free yourself from the sheets. The noise. The chaos. And then the hammer comes at you, grazes your temple, and smashes through your bedroom window. You’re mother is trying to punch you at this point. You don’t know where the hammer is. She’s screaming in your face, you still can’t understand her. You can see the whites of her eyes as you try to squirm away. Her pupils are as big as dinner plates. By the time you’re out of your bed she’s trying to throw you into the wall. You try to restrain her but she’s so slick with sweat and squirming and fighting against you so hard that it’s like trying to hold onto a live fish. Your nose gets bloodied. All you can do at this point is try to get her out of your room, so you push her toward the door. She fights back but you catch her off guard with a hard shove the second time and she falls through the opening. You slam the door and lock it. She kicks and beats and punches the door until you hear the wood splinter on the outside and her let out a wail of pain. Then it stops. You sit back and try to take in everything that went on, but you still can’t comprehend what just happened. So you focus on the destruction. Your things destroyed. Your room, your sanctuary, in shambles. Glass everywhere. Blood on your face. A short while later an armed policewoman kicks in your door. Your mother had called the police and said that you’d attacked her and were out of control. The officer handcuffs you and puts you into the back of the car. And you cry.


    Arguing from the next room. I turn up the TV to try to drown it out. It doesn’t work so I decided to go outside. As I stand up I hear a loud noise and feel a burn on my cheek. I hit the floor. Mother and her boyfriend are spun and fighting. And he shot at her. When it came through the wall it was so close to my head that I ended up with a powder burn on my left cheek.

    “GET OUT!”
    “What are you guys doing in my room?”
    “GET THE FUCK OUT! NOW!”
    “I need my backpack..”
    The door slams and I turn and head up the stairs to catch the school bus without any of my books. As I’m almost up the stairs I’m passed by the people who were in my room.
    “FUCKING RUN!”
    And I did.
    Boom. The lab blew and took many of my things with it. Why was it in my room when there was a whole basement around it?

    You can just sit and watch people die when they’re cranking. It really reminds you of watching one of those videos in health class on fast forward. In a months time you can see someone physically change to an extreme. You can watch them loose weight and teeth and hair. If you weren’t there every day, you’d easily not recognize them in a short period of time. Being around this mess makes you numb to everything. There is nothing stable. There is nothing you can count on, it’s just a lot of waiting for the next horrible thing to happen. And it will. The neglect is remarkable. ’I’m not eating or sleeping so why should my kids?’ People in and out at all hours. Your possessions being stolen or traded for drugs. Even your pets. The kids dog, traded for a blast.

    One day you’ll get that knock on the door. The police will drag you outside in cuffs and raid your house. Eventually, you’ll convince them that you’re only 15 and they’ll un-cuff you and make you sit in the back of the car. You know what’s coming. You see your mom trying to make a run for it, and being tackled. You see her get sprayed with mace and dragged back inside at gun point. What’s horrible about it is that you don’t feel anything. Nothing. You’re completely numb. Your dad comes to get you and your sister, who’s been inside through all of this. On your way through to get your clothes your mom tries to hug you, crying, and saying how much she loves you and how sorry she was. You don’t hug back. You’re too disgusted. She goes through the system and gets out of trouble, but doesn’t change her act. You see her on and off when she wants something or is trying to steal all your dad’s change off his dresser. Three years later she doesn’t even come to see you, her first born child, when she finds out that you had stomach cancer. And soon enough, she’s in prison.

    Meth. It controls you. Changes you. Breaks you down and rebuilds you. Nothing else matters. Not your house. Your bills. Your kids. Your job. The next fix. That’s all there is. That rush. That boost. Feeling alive…

  • Tawkin’ Right…

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    No. I have not forgotten how to spell. Yes, I do perpetrate a typo now and again, but don’t we all?

    The title of this blog, in point of fact, means something. (No, not like Roy Neary in Close Encounters running about screaming “this means something”…Nor the spoof, Closet Encounters and Roy Dreary…Betcha’ thought I wouldn’t know that one didn’t you? Uh-huh…)

    So, anyway, today’s babbling is about vernacular, accents, and “how ta’ tawk rite.” Those of you who are familiar with the Rowan Gant series know that everyone’s favorite 6 foot 6 cop, Ben Storm, has a tendency to clip his speech, and pepper it with expletives. In order to get it across to the reader, some of his dialogue is intentionally misspelled, or words are truncated by omitting letters and adding that wondrous little thing called the apostrophe. This is NOT something I did because I thought it was cool. I did it because the real life cops upon which he was based in part, actually talk that way. The one and only way to make the dialogue read the way it should sound is to truncate and generate my own phonetic spellings.

    Now, those of you who have been following the series right up to the cliffhanger ending of All Acts Of Pleasure also know that Rowan is no longer in Saint Louis. No, he hasn’t moved, but he did have a need to go to New Orleans, which is where a modest portion of The End Of Desire actually takes place. This is what brings us to “tawkin’ rite.”

    There is a particular bent to the New Orleanian mode of speech that you won’t find anywhere else. Having been there on more than one occasion, I know this to be true. And, no, I am not talking about Justin Wilson. From what I’ve been told, his accent wasn’t really that thick. He was just a hell of a showman. Either way, folks in New Orleans actually do have a particular mode of speech that will not be found anywhere else.

    In social anthropology texts that deal with regional dialect and linguistics, the New Orleanian accent is often described as Brooklyn meets the deep south. Additionally you have a blend of French, Jamaican, Italian, Irish, and just about everything else in between making up the dialect.

    So, why am I running off at the mouth about this? Like I said, a modest portion of The End Of Desire occurs in New Orleans. Therefore, in order to set the scene and be true to the region, I have had to not only recall my times there and spend time emailing a dear friend who lives in NOLA (Thanks Velvet!), but I have literally had to learn NOLAspeak in order to write the dialogue for a few of the characters.

    Let me tell you…It REALLY is almost like learning a second language.

    At this stage of the game there are still some tweaks that may be necessary to the incidental dialogue, however, don’t be surprised if The End Of Desire comes equipped with a one page glossary appended right in the front.

    (Actually, not really…But, it crossed my mind )

    That’s it for now…Time for some sleep, a couple of nightmares, and then back to writing!

    MR/Murv