BRAINPAN LEAKAGE

I recently rambled about the -30- at the end of manuscripts. If you happen to follow me on Facebook, Twitter, or any of the other social networks I have linked to my ping account, you are most likely well aware that I just finished a writing project. Hence the sudden interest in the number 30…

But, while typing that symbolic notification of “the end” draws my “work in progress” to a close, I’m never quite finished. There are tweaks, editing, final revisions, and all that jazz – not to mention hopping onto the promotional bandwagon and “selling” the book. However, those aren’t the things I am talking about either.

Anyone who has been around me when I am working on a manuscript knows that I go through phases. Simply for the sake of explaining my process, I’m going to try to break them down for you here. By the time you are finished reading this, you will likely believe I need to be living in a padded cell.

PHASE ONE: I start out by diving into whatever research is necessary for that particular work. For instance, when I started the Miranda Trilogy, I knew next to nothing about Vodoun and Hoodoo. While I’m still no expert by any stretch of the imagination, I came out on the other side of that first book in the trio with more than just a passing knowledge of both. Granted, there are times throughout the penning of a manuscript where the story will take a direction I hadn’t foreseen, and this will require me to stop and take a day to research something in order to be accurate. But, for the most part, the reading, interviewing, and info gathering generally comes at the beginning of a project.

PHASE TWO: Next, I move into the, “Gawd, this is like pulling hen’s teeth” phase. I’ve started writing and at about 10-15K (word count) I hit this imaginary wall. It’s a barrier that is built out of my own self-doubt and inner fears about whether or not the story is going to be worthwhile. Suddenly, squeezing out a thousand words in a day is laborious. Nothing has changed quality-wise, but I spend so much time doubting myself that the characters decide to go sit at the bar and wait until I get over my one man pity party. I have even gone so far as to say to E K, “I don’t know what made me think I could write in the first place.” This is usually greeted by a couple of slaps, followed by a stiletto heel to the head. She’s all about negative reinforcement, ya’know…

Then, we move into PHASE THREE. Words are flowing, the story is unfolding, and I look forward to sitting down at the keyboard each day. Oddly enough, Phase Three is the least stressful of them all. (Not that the stress is all bad, mind you. There are definitely good kinds of stress…)

PHASE FOUR hits at about 40-50K, and things change again. No longer do I  merely look forward to sitting down at the keyboard, I begin to dread having to leave it. The story has not only continued to unfold, but I am now sleeping on the couch in my character’s home(s). I’m sitting in the back seat of their vehicles whenever they go somewhere. I am standing right behind them when something happens. I am a part of their world, and I belong. This is generally the point where I become very hard to live with – not because I’m an asshole or anything, although you might want to check with E K on that just to be sure. The primary reason is that I am not here. Brainpan-wise, I am no longer a resident of the here and now. 24 hours per day, 7 days per week, I am living in a different world inside my head. I am seeing all of the things that are happening behind the scenes. What I mean by that is simply this: I see the manuscript happening in real time, and all of the stuff that never makes it to the page. The boring interludes where Rowan and Felicity might be sleeping, or Ben is fixing himself a grilled cheese sandwich using a folded sheet of aluminum foil and an iron.

I am an observer in their world, and even though only a small fraction of their time is chronicled on the pages of that particular novel, I am witnessing it all. Every last second…

When I come downstairs from my office I am told there is a vacancy in my eyes. It’s flat out noticeable. The lights are on, but Murv is long gone. E K will see it right away, and now that my daughter is older she sees it too. They both give me a wide berth, and talk to me only about what is absolutely necessary – again, not because I’ve turned into an ass, but because my brain is somewhere else entirely.

PHASE FIVE is even worse. Not only do I live with my characters, I form an empathic connection with them at the basest of levels. What happens to them, happens to me. I feel their pains – physical and emotional. I weep with them, I fear for them, and I even become physically exhausted with them. At this point there is usually only 25-30K left to write. Now, the relationship between the manuscript and me becomes pseudo-sexual. The “foreplay” as I like to call it, is hot and heavy. The “climax” is only a few short chapters away. Everything quickens, and my daily word count, which started at 1K, then progressed to 2K, is now in the 3K or better range. My wife comes home to someone she doesn’t know. A taciturn and at times almost catatonic individual who stares into space while moving through the motions of life in a purely mechanical fashion. I am like a junkie looking for a fix. All I can think about is getting back to the keyboard, and although I take notes on a constant basis through every phase, by now if I am not at the keyboard I am scribbling on anything viable with anything that will make a mark, just to be sure I remember. I begin to spend all of my time sequestered away, living the lives of my fictional “family.”

PHASE SIX arrives when the “literary orgasm” occurs. Everything has come together into an explosive, emotional ejaculation that leaves me tangled up in the proverbial sheets on a bed of my own making. I’m spent, as are the characters, but it’s not over.

PHASE SEVEN is the cigarette and cuddling. All of us – characters and me as well – have to debrief. We talk it out among ourselves, making sure we understand what it is we just experienced.

And then comes the -30-, the scotch, and the cigar…

But, like I said, it isn’t over. There is a PHASE EIGHT… For several days following that numerical end mark, I continue to sleep on their sofas. I dine with them, I walk the dogs with them, I watch them when they sleep, like some kind of nebulous, fictional stalker. Then, slowly, I begin to fade from their world. I feel myself being tugged back into reality by those who need me here. And eventually, my life with Rowan, Felicity, Ben, Constance, and all the others becomes a bittersweet memory, underscored by a longing for my next foray into their world.

And… There you have it.

I’m relatively certain some – if not all – of you will probably think I am insane now that you have read this, and to be honest, I wouldn’t blame you. E K did the first time I confided all this to her, but thankfully she didn’t have me committed. A year or so later she was reading a book by another author (she does that a lot) and discovered in the afterword that I was not alone. That other authors develop these deep seated relationships with their characters, and see them as very real – even if the “real” only lasts for a very short time.

Even so, I know it sounds nuts. I actually think all fiction writers – myself included – are by definition just a little bit insane. But, you know what? I think maybe I like it that way.

More to come…

Murv

Continued from: Of Redheads And High Heels…

As we established in our previous episode, it all started with a blood-curdling shriek. Also as noted, it was an “I’m going to kill you with my bare hands” sort of shriek, which just so happens to be one of those that the redhead can do at the drop of a hat. Moreover, it causes male hearts anywhere within a 5 mile radius to fibrillate momentarily, followed by the family jewels making a hasty retreat indoors, so to speak.

And, as we know, such a scream from The Evil One usually precedes me being screwed – and not in the good way. I mean screwed like the guy in the cartoon… Although, she has yet to use an actual ginormous screw to effect said screwing. I expect once she sees this blog, however, she will find someplace to order one. Damn… I hate when I give her ideas…

Oh well, moving right along.

As it turns out, this time neither my name, nor any of the monikers the undisputed Queen of Evil uses for me (lackey, doormat, hey you, what’syername, et. al), had been uttered. Nope… This was just a plain old scare the pee right outta ya’ shriek straight from the bowels of Hades. This seemed to indicate that maybe, just maybe, it was NOT me who was the target of her wrath this time. Unusual, yes, but hey, it happens once in a blue moon…

Oh, and before I forget, we also established Rule #2 ½ – Don’t mess with EKay’s shoes… I think that warrants a quick reminder because it has enormous bearing on the story…

And, therefore, back to that bone-chilling screech…

So, there we were (and still are) with a plethora of E K shoes hither and yon. In the closet(s), on shoe racks, under the bed, on the stairs, in boxes… You name it. And, back then, not only did we have shoes, we also had a couple of roommates.

We’ll call them Benjamin and Quigley, mostly because those were their names.

And, before you ask, no, Ben and Quigs were NOT a couple of guys E K kept chained up in the basement for recreational torture whenever I couldn’t take any more and simply passed out from the intense agony.  Those guys were named Bob and Bob, and she picked them up from… Well,  that’s a different story so we won’t get into that…

Nope, Ben and Quigs were our English Setter and Australian Cattle Dog, respectively (both of whom have since gone to the great kennel in the sky, but still live on in the pages of the RGI novels.)

I think maybe you can now see where this is going.

And so, I was in the kitchen preparing dinner when the front door opened, the click-clack of Evil’s shoes tapped against our hardwood floor, followed immediately by the horrific scream.  Not knowing what the problem could be, but realizing that if I didn’t respond – even though my name had not been called – there would be hell to pay, I shot out of the kitchen and into the dining room. And, that’s when I saw it… The horribly masticated, chewed up, slobbered upon, ripped to shreds, size 7 shoe.

Ben and the Quigster were already in motion. Unfortunately, they were more like a couple of the Keystone Cops as opposed to a well-practiced football team, or anything else for that matter. The English Setter leaped up, only to have the Aussie run under his legs and trip him. He regained his footing, but once again they bounced off one another as they sought escape, yelping all the way – and at this point all that had happened was the shriek.

E K, being practiced in the art of unconventional available weaponry, as we are well aware from all of her high level NSA training (See: Kay… E Kay…) immediately fell back on instinct. Kicking one foot up behind her, she instantly had a lethal weapon in hand and at the ready.

Both canines  stopped dead in their tracks and stared at the psychotic redhead. In a remarkable and wholly unbelievable moment of spontaneous anthropomorphization, their eyes widened, and my hand to God / Goddess / Whatever deity works for you, I swear that both of them yelled, “OH SH*T!”

Once again, they bounced off one another as they scrambled across the floor in an attempt to escape. E K jumped in front of the Aussie, who immediately began backpedaling. Then, like some kind of gymnast on crack, my wife ran up the wall, across the ceiling, and landed feet first on the sofa, right in front of the English Setter who was attempting to take a shortcut by way of the furniture.

Both of the dogs scampered toward the stairs, but it was no good. The redhead, like some kind of Matrix-Samurai-Ninja who was wielding the sacred stiletto heel, flew from the couch, right over the top of the coffee table, and landed immediately behind them. The pair shot up the stairs, yelping like they’d been beaten by someone with a 2X4, even though she hadn’t even touched them. E K was, of course, mere fractions of an inch behind them, screaming something barely intelligible at the top of her lungs. To this day I am convinced that it was some ancient hell spawn cursing, all of which ended in “MY SHOOOOOZZZ!”

I stood in the dining room, dumbfounded as I listened to the trio circle the  upper half-story at least six times before shooting back down the stairs at blinding speed. I stared on in horror as they came barreling straight for me, both Ben and Quigley still in an athropomorphized state as they yelled, “DOOD! HELP! SHE’S GONNA KILL US!”

At the last minute, just as my heart was lodging itself in my throat, they took a quick right and shot down the hallway. I tried to warn them, but they weren’t thinking clearly and my heart was blocking my vocal chords. You see, the bedroom door was closed, and the hallway dead ended in the bathroom.

The simultaneous scampering of dog paws came to a sudden halt, and a split second later the clickety-clack of a single high heel running at 42,000 RPM’s fell silent. I heard another stream of hell spawn cursing, once again ending with MY SHOOOOOOZZZZZZ!

And then, all was quiet.

That’s when I started to get concerned. I slowly crept around the corner and made my way down the hall to the bathroom. There stood the redhead in her business attire, hair puffed out from her head like a cat with an arched back, one shoe on, and the other held high over her head in the death strike position.

The dogs, having reached the end of the line, were rolled over on their backs, paws in the air, tongues hanging out, and fear in their eyes. I looked at them, and they looked at me. Then they looked up at the redhead with the killer shoe. They looked back at me. I looked at them, then I looked at the redhead with the killer shoe. They looked back to the redhead…

And, then Quigley proceeded to pee all over himself.

In the end, E K never touched the canines. She did, however, make me clean up the dog pee and then proceeded to beat me with the shoe. Something about her shoes being named Husbandstomper, and once the stiletto was unsheathed, it had to draw the blood of a man before it could be put back into its box.

Personally, I think maybe she was reading too many of Michael Moorcock’s Elric Novels*…

More to come…

Murv

* The character in the novels, Elric, carried a cursed sword named Stormbringer. Whenever unsheathed, it could not be re-sheathed until it had drawn blood.